Paris National Opera in time with Vacheron Constantin
By: Bill (registered) Tuesday, March 27th, 2007![]() ![]() |
2007 – Paris National Opera in time with Vacheron Constantin 13
March 2007, Paris: Mr Gérard Mortier, Director of the Paris National
Opera, Mr Juan-Carlos Torres, CEO of Vacheron Constantin, and Mr
Jean-Yves Di Martino, Vacheron Constantin’s Director France, signed an
agreement in which Vacheron Constantin became a patron of the
Paris National Opera for the entire 2007/2008 season. Among the 31
lyrical and choreographic productions to be presented at the Opéra
Garnier and the Opéra Bastille, Vacheron Constantin will be
specifically supporting Puccini’s Tosca, with 16 performances to be
given between 24 October and 20 November 2007 at the Opéra Bastille.
This agreement with the Paris National Opera is another indication
of Vacheron Constantin’s commitment to culture, the arts and discovery.
Culture and the arts because Vacheron Constantin is a company which
through its creations, has an artistic vocation. Those familiar with
its history know how strongly its founders enjoyed sharing their
culture throughout the world, while spreading their watchmaking
savoir-faire, so closely linked to the métiers d’art still
passionately fostered at Vacheron Constantin. Discovery because this is
an integral part of the manufacture’s philosophy. If it did not
constantly review its technical, aesthetic and cultural capabilities,
Vacheron Constantin would certainly not be in a position to look back
over a rich history of more than 250 years of accumulated horological
expertise. It is in this spirit of “discovery” that Vacheron Constantin
has already patronised such new talents as the young Spanish conductor
Inma Shara, one of the most talented women of her generation, who last
October conducted a concert organised by Vacheron Constantin in Madrid
in aid of Alzheimer’s and in the presence of Queen Sophie.
Photo-captions:
- Gérard Mortier and Juan-Carlos Torres signing the agreement
- From the left to the right: Jean-Yves Di Martino, Gérard Mortier and Juan-Carlos Torres |


